PLOS Pathogens at 10 Years

Editors-in-Chief Kasturi Haldar and Grant McFadden highlight 10 years of PLOS Pathogens research in celebration of past accomplishments and future endeavors. As PLOS Pathogens turns 10, we are excited to assemble a collection of primary research articles that reflects the … Continue reading »

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“Missing link” fungus-like organisms still missing as paper is retracted

proteincellThe journal Protein & Cell has retracted a 2012 paper on fungi-like organisms that took a step in the direction of proper citation — but didn’t quite get there.

The article, “Cryptomycota: the missing link,” came from Krishna Bolla and Elizabeth Jane Ashforth, who are affiliated with Key Laboratory of Pathogenic Microbiology at the Chinese Academy of Sciences in Bejing.

But as the retraction notice explains, Bolla wasn’t careful enough about good publishing hygiene:

This article has been retracted. Although the article “James, T.Y., and Berbee, M.L. (2011). No jacket required — new fungal lineage defies dress code. Bioassays. doi:10.1002/bies.201100110” was cited, Bolla K unintentionally copied smaller parts of the text. The authors apologize to the authors of the BioEssays paper and the readers of Protein & Cell.

The paper has yet to be cited, according to Thomson Scientific’s Web of Knowledge.

In case you’re wondering — we were — cryptomycota are called “hidden fungi” and, according to this Wikipedia entry, are either fungi or damn close.


The Art of Science: Not The Comfy Chair

Molecular_Chair_Antonio_Pio_Saracino_Cervo1When a furniture designer thinks of a new chair, he or she is likely to consider its looks, size, durability, construction and – above all – comfort.  When an artist with a scientific bent tackles the same project – eh, not so much. These three sci-art seats are long on cool but short on comfy.

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Tokujin Yoshioka’s Venus Chair is exhibit A.  Yoshioka “built” the chair for an exhibit in 2008, creating a chair-like structure of spongy fiber and submerging it in a tank of water, then “feeding” it with nitrate, sulfate and silica and allowing crystals to grow all over it. The object that resulted was a crystalline throne, fit for an undersea emperor. Yoshioka’s chair was displayed in a tank, so that the crystals could continue to grow throughout the exhibit, but I’m going to guess that even if dry, the Venus Chair would not be a cozy spot to curl up with a book.

The Molecular Chair, (top) by New York-based Italian designer and architect Antonio Pio Saracino, is an exploration of the structural components of matter.  The chair represents a vastly blown-up scale model of the molecular “stuff” that makes up furniture. The chair is built on a base of wire mesh and covered with “molecules” of wool felt, a natural, low-tech, and eco-friendly material.  It definitely looks like a step up in comfort terms from the crystal chair, and I bet cats would love the little felt balls.

The strangest sci-art chairs I came across were these fungal creations by San  Francisco-based artist Phil Ross. That’s right: Ross, a mycologist, creates chairs from mycelium, the tough, branching networks of fungus that generally remain underground. (The part we eat is the fruit)

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Says Ross, “It sounds like a joke, right, mushroom furniture, but actually it’s a versatile building material with many attractive qualities.” He notes that mycelium is fire-retardant, compostable, non-toxic, moldable, and a good insulator. (source)

He mixes chunks of the mycelium with sawdust and molds the mixture into seats for wooden stools and chairs. Once the seat has grown, it can be finished with linseed oil and shellac to protect it for use, or allowed to fruit – as an art piece, for display only.  Alas, the sofa with built-in snacks is not yet a reality.