Using satellite imagery to tell stories

Satellite imagery on its own can be limited in what it can say without context. It’s photos from the sky, which is neat and technical, but then what? For Nightingale, Robert Simmon describes the many ways that journalists use satellite imagery to tell stories and layer meaning.

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Telling stories in visual, data-driven essays

For The Pudding, Ilia Blinderman rounds out his three-part series on creating visual, data-driven essays. This last part in on the fuzziest task of telling stories:

Storytelling, however, is much more abstract — it’s not merely a technical matter of creating an image of a map, or designing the right chart; rather, it refers to the broader universe of considerations that impact nearly every decision you make in the way you frame and present a project. The focus is much less on the technical “how,” like in the first two installments of these guides, but on the “why” of designing the narrative. It certainly doesn’t help that technical tools are inherently more concrete: they’re ways of solving specific problems (e.g., “how do I show the locations where people are concentrated on a map?” or “how do get this visual element to move through this specific path?”), while storytelling is much more of a nebulous concept. Thus, in this guide, I’ll be focusing on the relevant questions and considerations that we, at The Pudding, tend to consider when creating data-driven projects.

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Multi-layered storytelling with visualization

Multi-layered storytelling

Quick and simple. It is a common theme in visualization that preaches clarity in as little time as possible, and it is certainly applicable in a variety of places. But is there a place for complexity in visualization that encourages people to carefully read what the data is about? Giorgia Lupi, design director at Accurat, thinks so.

Experimental visualizations design should always aim at balancing conventions and familiar forms people are comfortable with, and novelty: truly imaginative visuals able to attract individuals into the exploration, able to transform the strange of any visual experiment we include into the known, and ultimately able to invite readers to explore the richness of the stories lying behind.

This changes the process, as you then must consider more factors in addition to basic geometry.

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