Dear Data headed to MoMA’s permanent collection

Dear Data to MoMA

What started as a personal project and then turned into a book, Dear Data was a collaboration between pen pals through data. Now Giorgia Lupi and Stefanie Posavec’s work is headed to the Museum of Modern Art’s permanent collection.

[O]ur 104 original postcards and the many sketchbooks we filled with intermediate data drawings every week have found the best possible home for years to come. They will live in the archives and catalogue of one of the world’s most prestigious institution (well, we think so, at least!), humbled by being in the presence of the dazzling company of the great masters of art of the past two centuries.

This is amazing. Congratulations to Giorgia and Stefanie.

Tags: , ,

Updated: The Sketchbook of Susan Kare, the Artist Who Gave Computing a Human Face

Wonderful update: When Susan first told me that she still had this sketchbook in her attic while I was writing the introduction to her book Icons, I became tremendously excited. I asked her to please bring it to me so … Continue reading »

The post Updated: The Sketchbook of Susan Kare, the Artist Who Gave Computing a Human Face appeared first on PLOS Blogs Network.

The Art of Science: Who’ll Stop the Rain

rain

Every movie villain worth his salt schemes to control the weather; now that experience is available to New York City museum-goers. The Museum Of Modern Art’s Rain Room, open from May 12 to July 28, is a “large-scale environment” which will allow visitors to “experience how it might feel to control the rain.”  The work, by design group Random International, consists of a structure that pours down water like rain, except when its sensors detect the presence of a human body.

MoMA says that the piece “also invites visitors to explore what role science, technology, and human ingenuity can play in stabilizing our environment.” Well maybe – although I doubt that creating blatantly fake environments which allow humans to “control nature” does much to advance our thinking about our real relationship with, say, weather and climate. Let’s just call it an undoubtedly cool piece of techno-art that will be a magnet for New Yorkers and tourists alike this summer.